NETFLIX UPDATE

Claudette Colbert: French Lady of Hollywood

Later It happened one night, The Colbert brand led him to a variety of roles in the 1930s and 40s, and he worked hard to maintain the brand. If you hired Claudette Colbert, you also signed in for her fine attention to personal details. Perhaps because of his pictorial sensibilities, each film had to present Claudette Colbert in the right light. He will only be photographed from his left side to obscure a trivial nose blow to the right. The sets had to be designed and the shots were planned to adjust the camera orientation. Moreover, no one bothered her signature bang, makeup (which she did herself), or the hem line. He will fulfill such requests with a standard statement: “I have been in Claudette Colbert’s business for a long time.” He always wore a Peter Pan collar to “lengthen” his short neck. Creating outfits to incorporate the weird collars added to creative activities for which many directors didn’t have the patience.

Colbert’s reputation continued to grow, and so did his salary. In 1938, the U.S. Treasury named him the second highest paid person in Hollywood, second only to Louis B. Mayer and the fourth highest paid corporate employee in America. (How ridiculous is it to consider actors and actresses corporate employees? For four months they traveled to Italy, France and Austria until Nazi troops entered Vienna and thwarted their plans.

True to his mood, Colbert had a few favorite words about it. “German troops crowded the streets and people took Hitler everywhere,” Colbert said. “It made me very sad and angry.”

During the war, Colbert, at the height of his commercial popularity, made between $ 150,000 and $ 200,000 per film, but he also participated in the Hollywood Victory Caravan and volunteered with the Red Cross. Being French means, of course, that his friends and relatives were stranded in German-occupied territory. Despite her diva-like fame, Claudette Colbert never lost sight of her humble beginnings as the daughter of a French baker.

Once her Paramount contract expired in 1944, the actress, now 40, announced that she would no longer sign a long-term studio contract. He only took on roles that interested him and became even more rigid on set, refusing to work after 5pm, probably a bridge. (He later blamed his brother for managing his career as a family favor for this career mistake.) Frank Capra saw it as the last straw in their already tumultuous work relationship and rebuilt his role opposite Spencer Tracy. Union State (1948), giving the part to Tracy’s frequent co-star Katherine Hepburn.



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