“I’ve probably gotten like 5,000 at this point,” he says Eli Paperboy Reed. This is a statement you would expect from a lazy digger who sees the light of day outside the dust of a rarely used record store and affordable store, not necessarily from a dynamic soul singer. But in addition to being an electrical conductor of the ’60s and’ 70s-inspired R&B, a new album 99 St. Dreams By the way, Reed is actually an emotional record collector and DJ who loves to convert about the music that inspired him.
“I like DJing,” Reed says. “I like to be able to express my fans to my favorite music and that’s what I think is important. I think I’m a big part of who I am as an artist. A lot of what I am comes from my music. I grew up, so Spotify is a great way to share those things. “
Reed has kept his own fans’ time and heart out of streaming his own songs as he expands the experience of his own fans: Eli’s Funk and Soul 45 seconds And 99 St. Dreams, So he can take his audience a little further in his journey.
“I was just trying to understand what he was feeling [the album] 99 St. Dreams To me, “he explains.” So [the playlist is] More about the record is the provocation of the idea that I felt … 99 percent of these things in dreams that were cheap or free but still brought you joy and happiness, especially as a child. He explained that many of the songs in the playlist were on a tape that his father made in his childhood, called The Growing Up Tape. Ellie’s funk and soul s5 songs often spin while playing DJs at the club.
“It’s hard to find your way into that world,” Reid said of the vintage spirit he loves. “It can be scary. Spirit DJs have a whole culture-at least there they say ‘cover-up.’ People will cover the label so other people don’t understand what the records are.
The spirit of the matter
Some records of Reed’s praise were made at the Sam Phillips recording, where he broke his new record. Sam Phillips, founder of Sun Records, created the Memphis Studios in the late 50’s, after he left the legendary Sun Studios where he and Elvis Presley Rock invents the ‘n’ roll. “I’ve been listening to the records there for a long time,” Reed said, so I was definitely aware of the history there. Charlie Rich And Jerry Lee Lewis And such things. But there were also records of some great souls that were cut there. ”
Exploring the tunes on his DJ set is a lesson in itself, and he invites a select few.
- “Get out” By Mitti Collier: “Miti Colia was a big influence on me. She was my pastor, and I played in her church in Chicago. Miti was a great mentor to me – I especially like all her records. It’s also the only soul record you’ve heard that has a base unit. . “
- “Space Man” By Aaron Neville: “Probably my favorite Aaron Neville song, and one aspect of Aaron Neville you don’t hear often. It’s a crazy rock ‘n’ roll record, almost. The song is about getting drunk with an alien, it’s pretty amazing.”
- “Three hearts in a tangle” By James Brown: “‘Three Hearts in a Heart’ is one of my favorites. It’s a country song, in fact, that’s it [Brown] Covered I think this one Jim Reeves He made this funny version of that song. I don’t know who came up with the idea to do this. Hope it’s James himself – it’s a great one. “
Reed actually credits his love of music with many of his songs. “I think country songwriting is one of the greatest songs of all time in America – I like the turn of the phrase; I love metaphors even if they are flashy. Many colored coats It’s just a masterpiece of a record, ”he said Dolly Parton Classic. “The song, the performance – everything about it is perfect.”
Adding hip-hop to the mix
But on his new album, Reed’s love for head-hop became brighter in his music for the first time. “My brother was a big fan of hip-hop when I was a print and young teenager,” he recalls. “I was listening to him U-tang And Biggie, JZ, In– Many records of 90’s classics. ”
Why big dadThe guest spot on the record title track is one of those things where the magic fell in the right place. Kane reached out to Reed as a fan on Instagram and Reed sent him the track; Why was in it, kept his verse and sent it back. “I gave myself a kind of pinch that it actually happened,” Reed admits. “I just felt like he added so much and such a unique flavor. I don’t think the song would have been without the song.”
Funk grooves featuring gospel ting of “Trine”, “new song” and background vocals from veteran R&B group Mascaras, The style in which Reed has erected himself is easily understood 99 St. Dreams. Still, he said, “It’s not about any specific impact; it’s about all the things I’ve taken over the years and how I’ve reorganized them so that it becomes my own special oblique.”
That said, as Reid begins the second decade of his career, he has become more comfortable with the comparison. He admits that 10 years ago, he probably felt more determined to strengthen his personality. “Now I think it’s pretty clear, if you listen, where I’m coming from and what kind of record I like,” he says. “My favorite records are indicated by a specific word. Hopefully if you keep 99 St. Dreams You don’t say, ‘Sounds like this [the year] 19-Whatever. ‘I hope people say,‘ Oh, that sounds like a paperboy read record. “
– Jim Allen