How to get angry with Steel Pulse – Spotify for artists

After a 15-year recording break, the British roots radiate radicals Steel pulse I’m back with a new album, Mass manipulation. Most of Birmingham’s Caribbean working class has been single since the Handsworth neighborhood in 1978.Ku Klux Klan, “The band was one of the loudest (and most melodic) political voices in the genre, combining strong social messages with gorgeous grooves.

Steel Pulse’s new work continues with a rich reggae tradition of songs such as “Don’t Shoot”, “Justice in Xena” and “Thank the Rebels” (inspired by the Arab Spring). In fact, when you look at the incoherent splendor of “World Gone Crazy”, which covers everything from crooked leaders to global warming, Mass manipulation The last fifteen years seem like a journey through hot-button politics. We caught up with the legendary David “Dred” Hinds on why activism in the industry, and how to create effective protest music.

Spotify for Artists: This is your first album in 15 years. What inspired you to come back with a statement?

David “Fear” Hinds: There have been many events on this planet that are related to what we were as a band from the beginning. When we started, it was on a platform to speak out against racism, police brutality, religious warfare. The way the world is behaving, the only thing that is not happening on a large scale is this mass protest in a public place.

You have dedicated your creativity to many reasons. How can you be angry?

Check the climate. We were involved with Rock Against Racism in the 70’s and are now back on our doorstep with Brexit. To show you how close to home, we played Bataklan just 1 or 1 month before the terrorist attack there – we know people who were shot – and we played [Mandalay Bay in Las Vegas] In a year and a half [the Route 91 Harvest Festival] Shooting is fresh blood for us every time. It’s not hard to hold on to the present because it’s all hitting you in the face at an alarming rate.

There are many places for political activities. Why is it important to talk about songs?

No matter what planet you live on, what you believe in and what your politics are, music is the common song. As soon as someone hears something that puts a few notes together, they are shaking their legs and shaking their heads. You mention politics to someone and they turn away: “I’m sick of hearing about this.” Well, no one in music is sick. With music, they start liking the beat, then the melody, then they hear what the song is saying. “Damn, it’s about me! Are you telling me I can make a difference? Okay, here’s what I’m going to do.”

What makes a good protest song?

When it is written immediately after an event. For example, Bob DylanOf “Hattie Carol’s ni ones sang death. “He was on his way home from Dr. Martin Luther King’s Dream Speech at I Had, when he heard about this man who got six months in prison, when he hit a Burmese with a cane and he died. He kept a pen on his paper. He’s a legend because of the power of the song, and it only helps when people can relate your songs to something new in their minds.

In the 70s, you played punk whose words matched the intensity of their politics. Your lyrics are just as serious, but the music is beautiful. What is the power of this combination?

When it comes to messaging, reggae music is one of the most powerful formats we’ve studied Bob MarleyIts songs and they realized how politically charged they were even when they were indirectly involved. Music has always been known to be hypnotic, and we want it to be interesting. When we do “Don’t Shoot”, we know that there are a lot of people in the audience who may not be in favor of Trevon Martin, but you can rock their songs. The tunes stick to your head, and even if you’re not politically motivated, you still want to like it.

Do musicians have an obligation to deal with politics in their art?

I think they’ve got the obligation, but whether they respect it is another matter. Many more artists can promote their ideas. Because the sun shines from the ass of these kids listening to the work. We’ve seen how ential music can be. I went to see the movie Get Rich or Die Train, and I came out so charged. And I’m saying to myself, “If it does that to me, and I’m not on the rap …” These naughty guys are becoming more and more political in their songs, and it’s probably because young people want to see and change what’s going on around them.

What would you say to people living in countries where you don’t feel safe talking?

This is a very difficult question. There are many countries where people are using music to spread their ideas and they are being beheaded before they know it. It’s not easy for me to say, “Stand there, hold the castle, I hope no one will touch you.” The only advice I can give is that the country protects freedom of speech, spread your opinion there so that the message comes back to the country. Miriam Mekba did this in the sixties when she left South Africa. He was able to hear his soul and voice from afar and help people fight racism.

What will happen to artists who are simply afraid that they will lose fans by choosing a party?

You have to expect it. But if you’re serious, being real and sincere – nothing lasts forever. When people look back at the archives of music, achievement and politics, they always remember the strange man. Vincent van Gogh died helplessly, but you can’t talk about the history of art without mentioning him. You may not be there to reap the benefits and that is a risk [laughs], But the comfort is: you know what you are doing and you believe in it.

– Chris Martins

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