Remembering Peter Bogdanovich: The Man Who Survived and Loved Movies

By David Rather

Peter Bogdanovich I grew up loving movies. Then he wrote about them. Then he had to make them. His life Became He pursued a brilliant career as a screenwriter, director and producer.

He was born to immigrant children in a small town in Kingston, NY, New York. His father was Borislav Bogdanovich, a Serbian painter and pianist. Her mother, Herma, was an Austrian Jew. He was fluent in Serbian and grew up with both the Serbian Orthodox Christian tradition and the Jewish tradition. Poly plate, His ex-wife and legendary production designer / writer / producer once told me that he celebrated both Passover Cedar and Slava, Serbian traditions related to your family saint. “She never made up her mind,” he said.

When he started at the age of seven, Bogdanovich kept notecards about every movie he saw, a practice he continued until the 1970s. As a result, he gained a great deal of knowledge about film, which he brought to his job as a film programmer for the Museum of Modern Art. His retrospectives সম্পূর্ণ each with the notes he wrote in the film সম্পূর্ণ became famous in New York in the early 1960s. Bogdanovich is widely read by French film critics, especially young critics. Franোয়াois Truffaut. Remember the next time you see your child reading some obscure French magazine in his room late at night. Maybe he’s not wasting his time.

In 1966, he and his wife, Platt, moved to Los Angeles. Platt Bogdanovich had an extraordinary influence in his early career, especially in his first films. A kind of visionary Jack-of-all-trades, Platt was an outstanding screenwriter and production designer and a man with an amazing sense of talent. He advised a young screenwriter Cameron Crowe And discovered Sybil Shepherd, Tatum O’Neal, Wayne And Luke Wilson, And the director Wes Anderson. One of my favorite things to do is to think about the time he spent with the TV and film director James L. Brooks To meet a cartoonist who published some funny cartoons on the back page LA Weekly, Matt Groening. Together they decided to create a series from one of those comics, Simpsons. It takes a special talent to see these kinds of connections.

Gaining considerable fame as a film critic, one of Bogdanovich’s first film projects was a documentary / interview / commendable film. Directed by John Ford (1970). But his biggest push in the world of filmmaking came in the way of sorting out a classic skimmer. At a movie premiere, he sat in front of the king of B-movies, Roger Corman. Corman is also known for making cheap movies, most of which are terrifying, as quickly as possible, using young talent that often goes into their own careers. Martin Scorsese, For example, directed his first film for Corman. He also suggested Francis Ford Coppola, John Sales, And James Cameron, Among many others

Bogdanovich’s partnership with Corman can be summed up in this strange story. Corman made a bizarre Soviet science fiction movie called Planet Bar (Planet of Storms) in 1962 and dubbed it in English. Its usual distributor, American International Pictures, has stated that they will not distribute it because there are no women in the movie. Corman asked Bogdanovich to solve that problem. So Bogdanovich has cast a bunch of blonde models from “Venus to Prehistoric Women” (Storm Planet), shot a bunch of nonsense scenes at Leo Carillo Beach in Los Angeles, then cut a new version of the movie with these women. The movie has been released under a new title Travel to the planet of prehistoric women (1969). The whole thing was so confusing that Bogdanovich had to narrate the voice in an attempt to understand everything. He was a little embarrassed to see the movie and used the pseudonym Derrick Thomas for the director’s credit.

After his years with Corman, Bogdanovich returned to film journalism and became friends Orson Wells, Who described the incident Directed by John Ford.

In 1971, Bogdanovich made the movie that made him: The Last Picture Show (1971). While making the film, Bogdanovich fell in love with a female lead, Sybil Shepherd. The incident that took place resulted in the termination of her marriage to Platt.

Over the next few years, Bogdanovich showed a significant sequence of films that established him as one of the leading figures in “New Hollywood”, a movement that emphasized the dominance of the director as the writer (or the writer, as the French would say) in the film. Among the films he directed this year was Md What’s up, Doc? (1972), Paper moon (1973), Daisy Miller (1974), And At Long Last Love (1975).

Bogdanovich eventually breaks up with Shepherd and begins to see a playboy model named Dorothy Stratten, which leads to tragic consequences. He cast Stratten in his film They all laughed (1981). Stratten’s husband is outraged by the relationship and kills Stratten shortly before the film’s release.

Destroyed, Bogdanovich hasn’t made another film in four years. He returned to directing with the 1985 film Mask, A beautifully told story of a working couple (Cheer And Sam Elliott) And his son, whose face is deformed (Eric Stoltz) But more of that movie in a moment.

His film career did not go down well in later years, and he struggled financially by declaring bankruptcy in 1987. People with the best singing voices As Tony Soprano’s Therapist. I was very relieved when I first saw him in this role. Well, I thought Peter Bogdanovich was still working.

He worked on various projects for other films, working occasionally until he died of Parkinson’s disease at his home in Los Angeles in January 2022. His best films were made in the 1970s and 1980s, but they are still fresh and full of life and promise. Here are my five favorites.

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